

Digital Applications in Sculpture Computer Modeling for Sculpture Projects
Sometimes the little things mean a lot. a prelude to our fdm project
Shannon Slane incorporated CNC milled foam relief elements into this sculptural composition "Connected". The reliefs were created using the heightfield surface displacements in Rhino. The greyscale images were processed in photoshop. It's nice to see this come together in its completed form. This is yet another example of how digital fabrication can be combined and seamlessly integrated into tradiional sculptural processes. To view videos of the elements in progress on the mill visit my youtube channel andrewfscott. They are entitled "crybaby' and cow. A big thank you goes out to Bob Delli Bovi for his help in a pinch this summer.
Every technology that man invents cheaply imitates a function that already exists more perfectly in nature. In this project, I will collaborate with nature in her perfection and wildness to build a living sculpture whose essence is based on growth and renewal.
I will use the figure to represent man as the quintessence of nature whose highest calling is to be in relation with all that surrounds him. This figure will be composed of a ribbed wooden armature filled with soil and seeded for a chance to grow. I will approach the seeding process in a number of ways that include staggered sowing instances to exhibit the development of life, varied colored and textured plant species to emphasize certain areas of the body, and experimentation with directional lighting to examine the effects of exterior forces.
Fabrication:
I will begin with the CAD image of a man/woman in the fetal position. I will try to find a formulation of this image online, but if I cannot, I will sculpt the figure in clay, then 3D scan and manipulate the image from there. I will Laser Print a ribbed armature which I will then fill with soil and seed appropriately. Construction and sowing will conclude at Week 5 to ensure 5 weeks of remaining growth time.
"Dutch designer Tomáš Gabzdil Libertiny made a sculpture of Jesus that was completed by bees. He erected a sealed glass container with his mold inside. Libertiny then released 40,000 bees who worked on the honeycombed surface of the mold:
over the course of the fair, 40 000 worker bees were released into the case to complete a wax honeycomb structure over the figure of a martyred christ rising out of the chaos, his weight seeming to be upheld by the mass strength of the swarm. the figure within the vitrine is made of a laser sintered framework in which the industrious bees created a honeycomb skin over before filling each cell with the honey they produce. then bees worked to remove the honey from the cells and return it to the beehive, cleaning the figure back to the wax cells they originally created."
More pictures and a video at the link.http://www.neatorama.com/2010/06/23/sculpture-made-by-bees/
SCPT 250:
This course explores the relationship between digital tools and sculptural practice. Lectures and hands-on activities are supplemented by 2-D vector based programs, digital photography software and 3-D modeling programs. Students learn how to use the computer as a design tool for sculpture and to prepare files for various outputs.
SCPT 450:
Students explore their own personal visions using digital tools and computer software programs designed for the development of 3-D forms, spaces, objects, sites and processes. Students develop a critical basis for the evaluation of their use and explore the possibilities and implications of digital tools and processes.
Professor _ Andrew F. Scott
afscott@scad.edu